Jan 25, 2012
… She hardly knew how to explain to a person considerably more musical than herself the effect it had on her to hear a piece played imperfectly. It made audible the difficulty in the music; it made audible the demands made on the performer. It was moving in a fashion that a perfect performance never quite seemed to be.from The Attenbury Emeralds by Jill Paton Walsh (after Dorothy L. Sayers)
(Source: lauracricket)
About
My name is Wesley Hill. I'm a Ph.D. candidate in New Testament studies at Durham University (UK).
I occasionally write for Duke Divinity School's "Call & Response" blog.
This is my commonplace book and sometime-journal.
I'm on Twitter.
My book is here: Washed and Waiting: Reflections on Christian Faithfulness and Homosexuality.
Subscribe via RSS.
I occasionally write for Duke Divinity School's "Call & Response" blog.
This is my commonplace book and sometime-journal.
I'm on Twitter.
My book is here: Washed and Waiting: Reflections on Christian Faithfulness and Homosexuality.
Subscribe via RSS.
