Apr 23, 2014
Apr 23, 2014
James Guthrie, “A Funeral Service in the Highlands” (1881-82) (via Samuel Ernest on Twitter)

James Guthrie, “A Funeral Service in the Highlands” (1881-82) (via Samuel Ernest on Twitter)

Apr 22, 2014
ayjay:


Treehouse Freese Road, Varna, New York Rhea Garen American, Varna, New York, 1993 Chromogenic print 15 x 18 1/2 in.
Getty Museum

ayjay:

Treehouse Freese Road, Varna, New York
Rhea Garen
American, Varna, New York, 1993
Chromogenic print
15 x 18 1/2 in.

Getty Museum

Apr 20, 2014
Apr 20, 2014
Bramantino, “The Risen Christ” (1490). My friend Marly Youmans and I were talking about this on Twitter last night, and I can’t improve on her description: “A beautiful quality of estrangement from the ordinary. Marmoreal—almost architectural! But a stranger substance. Moon-metal!”

Bramantino, “The Risen Christ” (1490). My friend Marly Youmans and I were talking about this on Twitter last night, and I can’t improve on her description: “A beautiful quality of estrangement from the ordinary. Marmoreal—almost architectural! But a stranger substance. Moon-metal!”

Apr 19, 2014
mwfrost:


Reposted for 2012.

mwfrost:

Reposted for 2012.

Apr 19, 2014
"This magnificent ritual [of the Great Vigil of Easter], packed with deep and ancient symbols, gathers into one celebration the essence of Christianity…. The fullness of the faith is found in this great liturgy…"
— Philip Pfatteicher
Two hours to go for me. Can’t wait.
(photo via Beth Maynard)

"This magnificent ritual [of the Great Vigil of Easter], packed with deep and ancient symbols, gathers into one celebration the essence of Christianity…. The fullness of the faith is found in this great liturgy…"

Philip Pfatteicher

Two hours to go for me. Can’t wait.

(photo via Beth Maynard)

Apr 19, 2014

By far the most significant surprise has been the realization that teaching is not like writing a dissertation. That statement may sound idiotic to anyone who’s been teaching for a long time, but although I felt somewhat prepared to teach, I hadn’t considered the extent to which I wouldn’t draw upon my research for my teaching.

I don’t neglect exciting quotes or ideas from my research; I use them in class frequently. But students want to hear material presented in a way that is simply different from scholarly writing. Students want statistics that give them a firmer sense of what was happening in the past, or a basic map, or a chronology of events. A representative quote, even if amusing, doesn’t always suffice. They’re also not always comfortable with historians’ tendencies to equivocate. When I offer them both sides of an argument I try to be explicit about the fact that I’m doing so, and I try to point out the ways in which they could use both aspects of my argument if they were writing an essay.

Rachel Herrmann, “My First Year of Teaching.” This essay is brimming with useful ideas for me, a second-year teacher.
Apr 19, 2014
Apr 18, 2014
Martin Luther famously distinguished between a “theology of glory” and a “theology of the cross.” In the former you find yourself substituting a crown of thorns and a body of nailed flesh for a more palatable scene. But with a “theologia crucis,” you can call a spade a spade. You can look grief and loss in the face and identify them for what they are. There’s room — maybe even a literal room that you set aside in a basement — for rage and sobbing and protest and fear and horror. The great English-American poet W. H. Auden once heard a lecture in which, as Edward Mendelson recounts the scene, the speaker said that, “Jesus and Buddha were the same in effect: they were both attacked by spears, but in the Buddha’s case, the spears turned into flowers.” Auden bristled at this, shouting from the back of the lecture hall, “ON GOOD FRIDAY THE SPEARS WERE REAL.” If those spears were real, we can admit the spears we’ve felt are real, too. There’s no need to pretend we’re smelling roses when all we feel is metal piercing skin. Good Friday enables us to name the pain and face it.
Duke Divinity Call & Response Blog | Faith & Leadership | Wesley Hill: Anger room (via invisibleforeigner)

(via bluedollar)

Apr 18, 2014
“Why some people may lose their faith by looking at that picture!” — Prince Myshkin, in Dostoevsky’s The Idiot

“Why some people may lose their faith by looking at that picture!” — Prince Myshkin, in Dostoevsky’s The Idiot

Apr 18, 2014
Andrea Mantegna, “Lamento sul Cristo morto” ("Lamentation over the Dead Christ," c. 1475-8)

Andrea Mantegna, “Lamento sul Cristo morto” ("Lamentation over the Dead Christ," c. 1475-8)

Apr 18, 2014

As we move in to Palm Sunday, the ironies become crushing. We come into God’s house as religious people, as pious people, and together with our priests we spend our Holy Week acting exactly as priests and pious people have: as cowards and sadists, who would fail to recognize God even when He stands in front of us. We drag Him and mock Him like Lynddie England leading a prisoner through Abu Ghraib. Our Holy Week liturgies are just like that sickening selfie: we dare to throw incense before God’s altar, and the smoke rises with the same humiliating insouciance as her lit cigarette.

We gather at the edge of sanctuary, which is the symbol of the heavenly Holy of Holies, and re-enact the part of the vicious mob in Jerusalem who called for the death of God for the sake of God’s name. We become the Roman torturers who mocked the King of the universe with a crown of thorns. We play the roles of the screaming and vain religious men, who work themselves into a fury. Our pastor intones the hysteria of the chief priest who condemned God Himself as a blasphemer. We once more present to God (and to ourselves) the bitter betrayals, laziness, and weakness of the Apostles after whom our priests are modeled — and who too often imitate their bad example.

And after all this, our own Via Dolorosa, we are finally prepared to hear the words, “Father, forgive them for they do not know what they do.”

Michael Brendan Dougherty
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About
My name is Wesley Hill. I am an assistant professor of New Testament at Trinity School for Ministry in Ambridge, Pennsylvania.

This is my commonplace book and sometime-journal.

I blog at SpiritualFriendship.org.

My book is here: Washed and Waiting: Reflections on Christian Faithfulness and Homosexuality.



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